Bridget and her grandmother are about to become roommates. However, what Bridget saw as a unique opportunity to stay with her favorite nana in New York for the summer quickly turns into an experience she'll never forget.
Bridget and her grandmother are about to become roommates. However, what Bridget saw as a unique opportunity to stay with her favorite nana in New York for the summer quickly turns into an experience she'll never forget.
Bridget and her grandmother are about to become roommates. However, what Bridget saw as a unique opportunity to stay with her favorite nana in New York for the summer quickly turns into an experience she'll never forget.
Bridget and her grandmother are about to become roommates. However, what Bridget saw as a unique opportunity to stay with her favorite nana in New York for the summer quickly turns into an experience she'll never forget.
Bridget and her grandmother are about to become roommates. However, what Bridget saw as a unique opportunity to stay with her favorite nana in New York for the summer quickly turns into an experience she'll never forget.
Bridget and her grandmother are about to become roommates. However, what Bridget saw as a unique opportunity to stay with her favorite nana in New York for the summer quickly turns into an experience she'll never forget.
Bridget and her grandmother are about to become roommates. However, what Bridget saw as a unique opportunity to stay with her favorite nana in New York for the summer quickly turns into an experience she'll never forget.
Bridget and her grandmother are about to become roommates. However, what Bridget saw as a unique opportunity to stay with her favorite nana in New York for the summer quickly turns into an experience she'll never forget.
“Social Security” directed by Curtis Lambert. This hilarious Broadway comedy focuses on trendy Manhattan art gallery owners Barbara and David Khan. Their lives are upended when Barbara's goody goody nerd of a sister, Trudy and her uptight CPA husband Martin, deposits their archetypal Jewish mother Sophie on the couple's doorstep while Trudy and Martin head to Buffalo to rescue their precocious daughter from the horrors of living only for sex.
“Social Security” directed by Curtis Lambert. This hilarious Broadway comedy focuses on trendy Manhattan art gallery owners Barbara and David Khan. Their lives are upended when Barbara's goody goody nerd of a sister, Trudy and her uptight CPA husband Martin, deposits their archetypal Jewish mother Sophie on the couple's doorstep while Trudy and Martin head to Buffalo to rescue their precocious daughter from the horrors of living only for sex.
“Social Security” directed by Curtis Lambert. This hilarious Broadway comedy focuses on trendy Manhattan art gallery owners Barbara and David Khan. Their lives are upended when Barbara's goody goody nerd of a sister, Trudy and her uptight CPA husband Martin, deposits their archetypal Jewish mother Sophie on the couple's doorstep while Trudy and Martin head to Buffalo to rescue their precocious daughter from the horrors of living only for sex.
“Social Security” directed by Curtis Lambert. This hilarious Broadway comedy focuses on trendy Manhattan art gallery owners Barbara and David Khan. Their lives are upended when Barbara's goody goody nerd of a sister, Trudy and her uptight CPA husband Martin, deposits their archetypal Jewish mother Sophie on the couple's doorstep while Trudy and Martin head to Buffalo to rescue their precocious daughter from the horrors of living only for sex.
“Social Security” directed by Curtis Lambert. This hilarious Broadway comedy focuses on trendy Manhattan art gallery owners Barbara and David Khan. Their lives are upended when Barbara's goody goody nerd of a sister, Trudy and her uptight CPA husband Martin, deposits their archetypal Jewish mother Sophie on the couple's doorstep while Trudy and Martin head to Buffalo to rescue their precocious daughter from the horrors of living only for sex.
“Social Security” directed by Curtis Lambert. This hilarious Broadway comedy focuses on trendy Manhattan art gallery owners Barbara and David Khan. Their lives are upended when Barbara's goody goody nerd of a sister, Trudy and her uptight CPA husband Martin, deposits their archetypal Jewish mother Sophie on the couple's doorstep while Trudy and Martin head to Buffalo to rescue their precocious daughter from the horrors of living only for sex.
“Social Security” directed by Curtis Lambert. This hilarious Broadway comedy focuses on trendy Manhattan art gallery owners Barbara and David Khan. Their lives are upended when Barbara's goody goody nerd of a sister, Trudy and her uptight CPA husband Martin, deposits their archetypal Jewish mother Sophie on the couple's doorstep while Trudy and Martin head to Buffalo to rescue their precocious daughter from the horrors of living only for sex.
“Social Security” directed by Curtis Lambert. This hilarious Broadway comedy focuses on trendy Manhattan art gallery owners Barbara and David Khan. Their lives are upended when Barbara's goody goody nerd of a sister, Trudy and her uptight CPA husband Martin, deposits their archetypal Jewish mother Sophie on the couple's doorstep while Trudy and Martin head to Buffalo to rescue their precocious daughter from the horrors of living only for sex.
You Can't Take It with You is a comedic play in three acts by George S. Kaufman and Moss Hart. The original production of the play premiered on Broadway in 1936, and played for 838 performances.
The play won the 1937 Pulitzer Prize for Drama, and was adapted for the screen as You Can't Take It with You in 1938, which won the Academy Award for Best Picture and Best Director.
The play is popular among theater programs of high school institutions, and has been one of the 10 most-produced school plays every year since amateur rights became available in 1939.[1]
You Can't Take It with You is a comedic play in three acts by George S. Kaufman and Moss Hart. The original production of the play premiered on Broadway in 1936, and played for 838 performances.
The play won the 1937 Pulitzer Prize for Drama, and was adapted for the screen as You Can't Take It with You in 1938, which won the Academy Award for Best Picture and Best Director.
The play is popular among theater programs of high school institutions, and has been one of the 10 most-produced school plays every year since amateur rights became available in 1939.[1]
You Can't Take It with You is a comedic play in three acts by George S. Kaufman and Moss Hart. The original production of the play premiered on Broadway in 1936, and played for 838 performances.
The play won the 1937 Pulitzer Prize for Drama, and was adapted for the screen as You Can't Take It with You in 1938, which won the Academy Award for Best Picture and Best Director.
The play is popular among theater programs of high school institutions, and has been one of the 10 most-produced school plays every year since amateur rights became available in 1939.[1]
You Can't Take It with You is a comedic play in three acts by George S. Kaufman and Moss Hart. The original production of the play premiered on Broadway in 1936, and played for 838 performances.
The play won the 1937 Pulitzer Prize for Drama, and was adapted for the screen as You Can't Take It with You in 1938, which won the Academy Award for Best Picture and Best Director.
The play is popular among theater programs of high school institutions, and has been one of the 10 most-produced school plays every year since amateur rights became available in 1939.[1]
You Can't Take It with You is a comedic play in three acts by George S. Kaufman and Moss Hart. The original production of the play premiered on Broadway in 1936, and played for 838 performances.
The play won the 1937 Pulitzer Prize for Drama, and was adapted for the screen as You Can't Take It with You in 1938, which won the Academy Award for Best Picture and Best Director.
The play is popular among theater programs of high school institutions, and has been one of the 10 most-produced school plays every year since amateur rights became available in 1939.[1]
You Can't Take It with You is a comedic play in three acts by George S. Kaufman and Moss Hart. The original production of the play premiered on Broadway in 1936, and played for 838 performances.
The play won the 1937 Pulitzer Prize for Drama, and was adapted for the screen as You Can't Take It with You in 1938, which won the Academy Award for Best Picture and Best Director.
The play is popular among theater programs of high school institutions, and has been one of the 10 most-produced school plays every year since amateur rights became available in 1939.[1]
You Can't Take It with You is a comedic play in three acts by George S. Kaufman and Moss Hart. The original production of the play premiered on Broadway in 1936, and played for 838 performances.
The play won the 1937 Pulitzer Prize for Drama, and was adapted for the screen as You Can't Take It with You in 1938, which won the Academy Award for Best Picture and Best Director.
The play is popular among theater programs of high school institutions, and has been one of the 10 most-produced school plays every year since amateur rights became available in 1939.[1]
You Can't Take It with You is a comedic play in three acts by George S. Kaufman and Moss Hart. The original production of the play premiered on Broadway in 1936, and played for 838 performances.
The play won the 1937 Pulitzer Prize for Drama, and was adapted for the screen as You Can't Take It with You in 1938, which won the Academy Award for Best Picture and Best Director.
The play is popular among theater programs of high school institutions, and has been one of the 10 most-produced school plays every year since amateur rights became available in 1939.[1]
The play is set in the 1960s, and centres on bachelor Bernard, who has a flat in Paris and three airline stewardesses all engaged to him without knowing about each other. Bernard's life gets bumpy, though, when his friend Robert comes to stay, and complications such as weather and a new, speedier Boeing jet disrupt his careful planning. Soon, all three stewardesses are in the city simultaneously and catastrophe looms.
The play is set in the 1960s, and centres on bachelor Bernard, who has a flat in Paris and three airline stewardesses all engaged to him without knowing about each other. Bernard's life gets bumpy, though, when his friend Robert comes to stay, and complications such as weather and a new, speedier Boeing jet disrupt his careful planning. Soon, all three stewardesses are in the city simultaneously and catastrophe looms.
The play is set in the 1960s, and centres on bachelor Bernard, who has a flat in Paris and three airline stewardesses all engaged to him without knowing about each other. Bernard's life gets bumpy, though, when his friend Robert comes to stay, and complications such as weather and a new, speedier Boeing jet disrupt his careful planning. Soon, all three stewardesses are in the city simultaneously and catastrophe looms.
The play is set in the 1960s, and centres on bachelor Bernard, who has a flat in Paris and three airline stewardesses all engaged to him without knowing about each other. Bernard's life gets bumpy, though, when his friend Robert comes to stay, and complications such as weather and a new, speedier Boeing jet disrupt his careful planning. Soon, all three stewardesses are in the city simultaneously and catastrophe looms.
The play is set in the 1960s, and centres on bachelor Bernard, who has a flat in Paris and three airline stewardesses all engaged to him without knowing about each other. Bernard's life gets bumpy, though, when his friend Robert comes to stay, and complications such as weather and a new, speedier Boeing jet disrupt his careful planning. Soon, all three stewardesses are in the city simultaneously and catastrophe looms.
The play is set in the 1960s, and centres on bachelor Bernard, who has a flat in Paris and three airline stewardesses all engaged to him without knowing about each other. Bernard's life gets bumpy, though, when his friend Robert comes to stay, and complications such as weather and a new, speedier Boeing jet disrupt his careful planning. Soon, all three stewardesses are in the city simultaneously and catastrophe looms.
The play is set in the 1960s, and centres on bachelor Bernard, who has a flat in Paris and three airline stewardesses all engaged to him without knowing about each other. Bernard's life gets bumpy, though, when his friend Robert comes to stay, and complications such as weather and a new, speedier Boeing jet disrupt his careful planning. Soon, all three stewardesses are in the city simultaneously and catastrophe looms.
The play is set in the 1960s, and centres on bachelor Bernard, who has a flat in Paris and three airline stewardesses all engaged to him without knowing about each other. Bernard's life gets bumpy, though, when his friend Robert comes to stay, and complications such as weather and a new, speedier Boeing jet disrupt his careful planning. Soon, all three stewardesses are in the city simultaneously and catastrophe looms.
It focuses on the relationship between two actors, the play's only characters. One, Robert, is a stage veteran while John is a young, promising actor. As the play goes on they are involved in a variety of productions, and gradually their relationship begins to change.
It focuses on the relationship between two actors, the play's only characters. One, Robert, is a stage veteran while John is a young, promising actor. As the play goes on they are involved in a variety of productions, and gradually their relationship begins to change.
